Revisiting Alexandra Tolstoy's enchanting cottage in the Oxfordshire countryside
“I am a firm believer that you should not kowtow to practicality. Decoration should always come first,” says Alexandra Tolstoy, surveying her tiny cottage in Oxfordshire. Liberally bedecked with chintz, Staffordshire pottery, embroidery samplers, lustreware and willow pattern ceramics, it could easily be the ur-cottage of all English cottages. Yet in many ways it is supremely practical–very much a “dogs on the bed, children running in and out of the garden in wellies” house–and also incredibly personal, scattered with the artefacts of a life spent adventuring in Russia and Central Asia.
Alexandra bought the cottage in 2004, having grown up in a nearby house, where her parents still live. “I knew the area well but it’s a little lost spot as it sits at a dead end, and that’s rather special since Oxfordshire has become so built up,” she explains. “I didn’t have any idea I’d have children at that point, and I wasn’t expecting it to be the home it would become.” Soon after buying it she moved to Moscow and rented it out, but held onto it, making it her own home again a decade ago. Now it is a much-loved family home for her three children, Aliosha, Ivan and Marousia. “It’s been the most constant thing in their lives,” she says.
When Alexandra came to the cottage, she found it in a more or less generically ‘modernised’ state, and embarked on a programme of restorative changes, taking it back to the pleasingly old fashioned cottage look it now has. She finished the walls with lime plaster and lime wash, replaced doors, windows, floorboards and skirting boards. “I wanted to be kind and sympathetic to its roots,” she explains. Her father gave her a book of English cottage interiors, full of unmodernised cottages in traditional English vernacular styles, and from there she got the idea to paint the woodwork in a rich treacly brown (Farrow & Ball’s ‘Wainscot’ in this case).
The English and Welsh antiques that fill the house were mostly found at a nearby shop, and suit the cottage’s unassuming style. Solid wooden dressers, brass beds and squashy armchairs fill the rooms. “They’re not grand things,” says Alexandra. “It would be completely incongruous to have expensive, special pieces in this house. I wasn’t going to be precious about having my children running around among them, and when I rent the house out, I don’t worry about other people among them either.”
Over the years, further changes have added to the cottage’s comfort. Around five years after she bought it, Alexandra called in the decorator Emma Burns of Sibyl Colefax & John Fowler, who designed the neat fitted cabinets that slot into the kitchen’s awkward layout, and made the empty outdoor studio (now Alexandra’s office) into a more homely interior with bookshelves and shutters. But in other respects the cottage and its decoration have remained almost exactly the same since she bought it. “I rehung two pictures the other day and my children were aghast,” she laughs. “Every picture, every little bit of Staffordshire, has stayed in its place over the years. I realised what a point of stability it was for them.”
Here and there among the stuff of a typical English cottage are reminders that there is another world, well beyond the Oxfordshire countryside, that the family inhabits. Alexandra leads riding holidays in Central Asia with her travel company, and also sources antique folk furniture and textiles from the same region for The Tolstoy Edit. This life is most in evidence in the office, a separate space just outside the kitchen, where Alexandra works. Painted in a deep yellow that is quite different from the browns and whites of the rest of the house, it is decked out in colourful Uzbek textiles and the mementoes of her travels. The meeting of English and Asian worlds is perfectly summarised in the little round window, where a jewel-coloured ikat blind looks out on a climbing rose that peers in from outside.
The outdoors is very much a part of life at the cottage. At the front of the house is an old-fashioned cottage garden, completely revamped by Alexandra and her gardener Tim Hawkins, where foxgloves, delphiniums and roses sprawl through a long border, while beyond the gate the fields immediately open up onto the rolling landscape. A corrugated tin shed by Rollo Dunford Wood, where Alexandra’s teenage sons have their workshop, has been a life-changing addition to the garden, giving the family much-needed extra space to spread out in.
The true joy of the cottage, for Alexandra, is that it comes alive in every season. “The summer is all about walking and tea in the garden, but in the winter we can light fires and cram everyone round the table for supper.” Practical and unprecious the house may be, but it is also, importantly, an escape from everyday life. “Coming here, even now, is like stepping into a fairytale” she says. “The children don’t do their homework here, they don’t live out their everyday lives here. Sometimes they say they wish they did live here all the time, but it wouldn’t feel the same at all in that case. It’s just so different from ordinary life.”
Alexandra's cottage is available to rent at tolstoycottage.com.